So well done
to all you Rotherham Folkies who remembered that last Monday was the rearranged
August Nellie Folk, even though it was September. These Bank Holidays cause so many
complications, especially one as date blind as I. I do hope that no one
turned up on Bank Holiday at The Bridge, as I'm aware that Listings page was completely wrong.
It was an
“all the usual suspects” gathering with some fine quality singing including a
new duo! Louise and Tom – and a fine
couple they made, and the heavy breathing heard from the rehearsal room was
completely legit – they say.
No new faces
but nice to see a rare visit from Phoebe and Sylvia + young man.
And more
good local Folk Club News as John has let me know that The Butchers Arms,
Braithwell venue proved to be a great success. A good Club attendance and “food” appears to
have convinced John.
Personally I
feel as if I’ve been everywhere this week, yet nowhere. Yet somehow progress is being made.
Performing Street Arts Festival (that’s the
Busking Day to me and you) on 29th September, and plans are
afoot to make the launch of the Urban
Piano Project Exhibition around the Town very special. A special short piece of music is being
composed for the day. Once the day is
officially open the pianos will be available to play by everyone and we’ll even
making arrangements with a team from Getsorted to provide tuition for
folks like I who will not have a clue.
I was very
lucky to meet many of the artists who will be using their creativity to
transform the pianos.
Anyone c an
get involved. There are workshops 17th
and 24th at Manor Farm Community Centre and at the Old Market Gallery on Saturday 15th
September, with Vicky Hilton.
We still need a couple of pianos, you
can in touch with Lizzy HERE should
you have one taking up space in your garage, living room or dining room. Maybe the bedroom – and that’s a whole story
I’ll not go into here.
I’ve also
had confirmation from some pretty special musicians that they will be in the
Town Centre playing you a tune of two. If you’re interested in spending a few hours
with us on 29th September just drop me a note HERE or if you want to make up your mind on the day Registration will be at the Imperial
Building from 10:00am
There will
also be a programme of poetry and acoustic music at the Imperial Building.
We are still
hoping that we’ll get a brass band, gospel choir and more.
The Fringe Festival Programme is near
complete. The confirmed dates for this
week have been a night of blues from The Tom Kilner Band on the 20thn October
at The Charters and a really special end to the Festival as one of the UK’s
finest acoustic singer song writing teams come to Rotherham. Sheedyfrost
will be playing at The Charters on Wednesday 31st with Tina McKevitt and Matt Hegarty in support. Sheedyfrost will be playing tracks from their
latest CD Something Definite, which is already getting heady critical
acclaim.
If you want
to keep up to date with the ticketing arrangements and what will be happening
throughout October, you’ll need to go HERE
Those
wanting tickets to ODS Saxon can buy them at £5 from Mesmerize on Wellgate and The Trades Club
at the Bar. On line arrangements
soon.
Whoops. Rotherham
Show. Wow, isn’t the Rotherham Show
and Clifton Park great when the sun comes out, if Saturday was busy, Sunday was
double buzzing busy as the weather Gods
were generous to the Organisers.
The Diversity area was busy with the
Marquee being very busy for most of the time with many people creating birds to
be put on the Urban Piano for which I believe an interesting ending is
planned.
The ROAR Drawing Board proved to be very
popular too, with some fantastic art work on show within their tent.
The main
Diversity Stage provided some great entertainment especially from the local
artists. Gav Roberts once again
surprised me with his ability to hold an audience with his poetry. I say surprise; this is because I know just how difficult it
is to hold a Show Ground audience, and Gav did a fine job – at one stage you
could have heard a needle drop. Masher
hat off.
Life Act one
of the Youth sections of OMTC performed a series of energetic and thought
provoking sketches on the subject of bullying that attracted many people to the
stage performance area. So easy to be
patronising, but there were some super performances in difficult
conditions. And of course well done to
Steve and the team; a personal note – just would like to see more of the OMTC
groups showing off their creativity.
Caught a bit
of Nic Harding who was her super self, as was Steph Little who shared her time
with some of the talent she has found hidden away within some of the Eastwood
projects that she has been involved with.
Steph’s self-penned songs are to kill for, just a feeling that she needs
to be more confident with them, but hey, Steph is a one off and you’ll never
know what you’re going to get from her.
Be sure of some surprises when she performs at The Gallery during
October.
I also got
to see some great Zumba workout dancing.
I loved the young lady who was yelling out the songs, and making the
sales pitch; very reminiscent of Skegness Market.
Made it to
the Folk Tent for an hour or so on Saturday and was treated to some great music
from SUNJAY BRAYNE, who was
nominated for the BBC Folk awards young performer of the year award and won the
Wath Young Musician prize in 2012. Oh
wow, guitar work to kill for and from one so young, and with a maturity in the
performance.
Making an
interesting contrast I also got to listen to Flossie Malavialle, I’m sure she’ll forgive if I say demonstrating
her relaxed tried and tested performance.
Sparkling with humour and delightful songs. There is something wonderful about watching
and listening to a top artist in action whatever their genre. I believe Flossie is back in South Yorkshire
for the Doncaster Festival Fund Raiser later in the autumn, on 27th
October.
The rumour
is that the Folk / Jazz Tent will not be given funding for 2013. I’m sure Judy Dalton and her Partner will not
give up without some heavy negotiation as the Tent has become such a popular
feature of the Rotherham Show. We also
have to say, that while we’ve all at times had our moans and groans about the
acts invited, it has been Judy’s ability to attract some of the top acts around
to the Tent that has led to it being so popular.
Judy did
make one very important public information announcement: It seems that The Rock Folk Club (Maltby) has
somehow lost their mailing list – if you want to be kept up todate with ticket
availability and the top names visiting the Club, please contact Pete at his Email
HERE
The Diversity Stage on Sunday somehow
got a little dominated by the Street Dancers, punctuated by a punchy
performance from Andy Hault, I think
the audience were hypnotised by his knees which were enjoying an airing.
I was making
a second visit for the weekend to see a couple of Bands close to the heart of
RAE. First up The Tom Kilner Band. Tom is
growing in maturity every time I see him, and this was a fine demonstration of
the blues guitar. On the basis of this
performance I was also well impressed with the growing confidence Tom is
getting with his vocal delivery. At such
a young age it’s not easy to get an authentic blues sound but Tom is beginning
to get the hang of it. Of course it’s
not easy on a Show Ground Stage.
Next up were
Waiting for Eddie. This was the Band’s first Show Ground /
Festival like performance, and was certainly their biggest audience. They
delivered a workmanlike performance, if at times a little nervous, and with the
bass hampered by a hand injury. The
energy of Em and the enthusiasm of the drummer pulled the Band through the set
wonderfully.
Well
almost. I can only guess at what was
happening, but there was clearly some sort of communications breakdown. The Band were given 30 minutes, and I know
that WFE have a dead 30 minute set. I
could see activity as one of the MCs attempted to tell the Band halfway through
a song that they were to finish at the end of the song – but of course being
young and let’s be honest, inexperienced they failed to see this, an attempt
was then made to talk to the drummer during the song – what was that
about? - and then as the song finished,
the MC marched onto the stage announcing that they had to cut short the
Band. No thanks to the Band – just an
announcement to say how great the next Band was going to be.
I’m aware of
the problems that organisers have, but essentially destroying three very young
musicians on stage by giving the appearance that a) they didn’t matter and b)
that they were being hooked. Even if the
performance had been inept then because of their age more care should have been
taken in how the set was wrapped, but in this case the performance had been far
from inept, and it was simply poor Stage Management.
The irony
was that in being so unprofessional the MC actually wasted time as the audience
demanded that Waiting for Eddie be given the opportunity to finish their set,
meaning leads had to be re-connected and sound levels re-set. So well done to the audience.
What
disappointed me most was that the Stage MCs should have known 100% better. This wasn’t a Pub or even a commercial stage,
this was a Community Stage run by local arts professionals. We really must take great care of our local
emerging talent, and those of us more experienced should give it every
opportunity to shine.
The whole
situation was really caused by bad timings and planning, with the main act of
the afternoon going on as most of the stalls were either closed or closing down
and the audience were making their way home.
We all learn
from these errors though and hopefully it won’t happen again.
Onwards.
Besides the
excitement of the Busking Day coming up
at the end of the month, there is just so much going on…………
I’ve just
got back from a sneak preview of the Art
In The Park Young Person Exhibition that has been mounted at the Old Market
Gallery on Corporation Street, in Rotherham.
Personally I was stunned by the technical skills that the some of the
very young artists display – and there’s some great art from the over eighteens
as well. But don’t take my word for it,
why not pop along to the Gallery on the 13th September at 7:00pm and
join in the opening Party.
Opus Hatch
has it’s second outing on the 13th in Halifax, The Weather Forecast
Poetry over in Sheffield, also on the 13th………………. Whitby Pirate Day! On Saturday, you can find all the details on
the listings page HERE
Talking of
art here’s a young lady with an eye for a potential market. Decorated hard cases what a great idea,
beats the slogan stickers. Next – he
says in hope, Gig Bags. Check it out HERE
There is
just so much happening at the moment that it is very difficult to keep up with
everything. I’m doing my best Folks – so
keep a close eye on the Listings page HERE
Over the
weekend there will be massive improvements to the Fringe Festival Web Site and
the guests for the Wednesday and Saturday Acoustic Gigs will go up to complete
the programme.
There have
been a few comments about the fact that small charges are having to be made for
some of the Fringe events. The fact is
that the Fringe Festival, like Slamfest is being mounted on a very small
budget, in fact a zero budget, indeed if it were not for a small donation
towards the basic costs from Open Minds Theatre / RCC Ltd all the events would
have to be charged for.
The maximum
ticket cost will be £5 most are no more than £3 which for the quality of acts
on offer represents amazing value for money, that’s classic rock / amazing critically
acclaimed Edinburgh Fringe Theatre / and top quality acoustic music / and
appearances from personalities at the top of the Music business.
There is a
wider debate about arts finance and 2013 in particular but we’ll save that for
after this Festival.
RAE might
have more exciting News to talk about very soon to……………. So worth keeping your finger on the pulse.
That’s it my
friends for this week.
Whatever you
are doing this week have great fun,
support your local artists and KEEP IT LIVE
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